Dino Bruzzone’s work is a deep and wonderful investigation into Desire.
His painting today joins the history of the great artists: Cézanne, Matisse, Picasso, the pop artists, Polok, Warhol, Lichstenstein, Haring, Basquiat, Salle, Prince, Richter, those figures where the question of intensity and a new form perception of reality through art were its objectives.
Architect of a system of representation Dino Bruzzone throughout his work reflects on representation and perception, photo, models, Peep Shows, installations and today through painting, in all its splendor, he invites us to see and imagine .
In this exhibition, the sensuality of beauty is structural, in a conceptual appropriation it takes a fetish comic like Archie, an American comic from 1942 that guided the erotic fantasy of an entire generation.
A triangle of desire of the protagonists generated in the plot between Archie, Veronica and Betty, opens a series of exquisite paintings. Desire is nomadic and implies a staging.
An eternal summer where bodies long for each other, chase each other, spy on each other, observe each other, caress each other, creating a surreal climax, where fantasies are the material of the work.
Dino Bruzzone, in an elegant and intellectual way, paints with the best Pantone colors in each series and creates a form of optical phenomenon where the point (today the pixel) amplifies the effect of what we look at.
The gaze is one of the structural pleasure drives, the touch of the fabrics, the light, the bodies, everything merges creating a great film, a script for the viewer.

Psychoanalysis proposes that the object that causes the gaze, that lure of our passions, that desire that is generated in the image, is the magic with which artists create.
Him, them, him with her, him with them, him in the sun, them in the sun, the humor, the romance, the idealized love crushes, the seduction, the vertigo, the adrenaline, the fascination, all those beautiful sensations in a sophisticated form of contemporary painting, today in the era of Apps and new sexual codifications.
This exhibition invites us to enjoy painting as a new and magical sensual, psychic state. Being teenagers is always that way of falling in love again and again in thousands of golden sunsets.

Fabiana Barreda, July 2022